Haiku for September
6/9/2021
 Haiku from That Lone Ship (Parthian Books, 2018)
parthianbooks.com/collections/poetry/products/that-lone-ship
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Frogpond Journal #44:2
19/8/2021
 Really pleased to have a haiku in the latest issue of Frogpond Journal, which has just arrived at my door all the way from Seattle, USA. A lovely surprise too, in a magazine of 158 pages, to find myself sharing one with Paul Chambers, the only other Welsh writer in the issue.
There's a free sampler of some of the poems, essays and reviews from the issue on the Haiku Society of America's website, where you can also order a copy of the full issue. Free sampler: www.hsa-haiku.org/frogpond/2021-issue44-2/index.html Order a copy of the latest issue: www.hsa-haiku.org/frogpond/previousissues.html I absolutely loved my time studying at Swansea University, so I was chuffed to be asked to write the following poem—celebrating both the university and the city—for their upcoming clearing campaign. What the team has done with a couple of pages of words is incredible, it's amazing to see it come to life. That Lone Ship Reviewed by Marble Poetry
21/6/2021
 Really grateful to Marble Poetry for reviewing my book That Lone Ship and saying nice things about it/me in their last issue: marblepoetry.com/product/issue-8
"Rhys Owain Williams is maybe a rare talent in poetry. His voice is strong, understandable, serious but lighthearted." Diolch yn fawr! Haiku for June
7/6/2021
 Haiku from That Lone Ship (Parthian Books, 2018)
parthianbooks.com/collections/poetry/products/that-lone-ship New Gothic Review #3
4/5/2021
 The new issue of New Gothic Review is now online and features my short story 'Passengers': a gothic tale set on the banks of the River Severn. This is the first short story I've finished in about seven years, so I'm thrilled that it found a home with New Gothic Review. Thanks so much to the editors for working on it with me, and also to Zuzanna Kwiecień for the incredible accompanying illustration. To celebrate its publication, yesterday I took a trip the place on the River Severn where the story is set. For centuries, Black Rock was an important ferry crossing point on the tidal river that divides Wales and England.  I began writing this story after a train journey on the line near the River Severn a few years ago. When I decided to finally complete it earlier this year we were in the midst of a national lockdown, so Black Rock as a setting came from researching the area online. The towering Second Severn Crossing road bridge (1996) makes an appearance in the story, though elsewhere I’ve slightly altered the Severn estuary’s geography – making some places closer to each other, and creating a disused station called ‘Porthsgiwed Halt’ (named after the nearby village of Portskewett).  Portskewett did once have a station that served the Black Rock ferry: Portskewett Pier. It's definitely the most unusual train station I’ve ever heard of. Trains would stop on a wooden pier and passengers would descend to a ferry. After making the crossing by boat they’d then be met by a new train on the English side. Opened in 1863, Portskewett Pier was demolished once the Severn Railway Tunnel (1886) had been carved beneath the estuary. It’s such an interesting station, but I decided it was too complicated to include it in the story and so created a disused Halt on the main line instead. Wales has begun to open back up now after our winter lockdown, and yesterday’s trip to Black Rock marks the furthest I’ve been from my home in Swansea since March 2020. It was so odd to arrive at a place that I’d extensively explored, but only via photos and Google Street View. Yesterday was stormy, and Black Rock was exactly as I’d imagined it: bleak, moody, ethereal. However, in the picnic area and along the path there are statues, sculptures and information boards, and on a brighter day I imagine it’s a very welcoming place. This seems to be down to the hard work of a project called Living Levels. I know I'll return to Black Rock many times, in person and on the page. To that rusted lighthouse floating above the water, the rock it sits on only exposed as the tide moves out. There’s so much hidden beneath the surface there. You can read 'Passengers' and the other five stories in the issue for free on the New Gothic Review website: newgothicreview.com New Gothic Review are open for submissions twice a year, with the next submissions window opening in a few months' time. If you'd like to submit a story then take a look at their submission guidelines and keep an eye on their social media channels for announcements.
Haiku for April
3/4/2021
 Haiku from That Lone Ship (Parthian Books, 2018)
parthianbooks.com/collections/poetry/products/that-lone-ship Haiku for March
26/3/2021
 Haiku from That Lone Ship (Parthian Books, 2018)
parthianbooks.com/collections/poetry/products/that-lone-ship Haiku for February
8/2/2021
 Haiku from That Lone Ship (Parthian Books, 2018)
parthianbooks.com/collections/poetry/products/that-lone-ship That Lone Ship 'Audio Book'
19/1/2021
Recently I finished reading Kaveh Akbar's Calling a Wolf a Wolf, a debut collection that follows a path through addiction to recovery. Akbar is one of the USA's most celebrated contemporary poets, writing not just about addiction but also race, religion, spirituality and the American dream. Often while reading a poetry collection, I'll seek out recordings of the poet so I can listen to them while reading. Sometimes it's to help crack a particularly difficult poem's riddle (hello Frederick Seidel and most of Ooga-Booga), other times it's just to hear the poet's voice while I'm reading. For Kaveh Akbar it was a bit of both – at first I just wanted to locate the key to one of his punctuation-free poems, but then I found such a huge amount of recordings of him online that I ended up listening along to most of the collection. He's a great performer of his work, and his recordings are easy enough to find, but if you don't have time to listen to them all then I'd recommend 'Palmyra' and 'Unburnable the Cold is Flooding Our Lives'. A poet's thoughts aren't too often far from their own poetry, and the sheer volume of Kaveh Akbar's recordings made me wonder how much of my own collection was available online in this way. I was surprised to learn quite a bit, and so I've compiled a list below – a cobbled-together audio book version of That Lone Ship, should you for some reason want to listen along while reading it. The print version ofThat Lone Ship is available to buy from Parthian Books. Note: Timestamps (e.g. 22:17) are included next to poems from longer recordings to indicate when that poem begins. THat Lone Ship Haiku
En Dash [35:54] A New Year [47:19] Ghazal [45:25] Waiting Room The Pint that Follows [22:17] Bonaparte Before the Sphinx [37:22] Eglwyswrw [4:27] Drowned [44:14] Haiku Gull [39:50] The First Time School Eisteddfod Reunion Tour Victoria Park, 5 a.m. Haiku The Man at the Bus Stop [3:05] The Road Must Eventually Lead to the Whole World The M4 We Weren’t Interested in Girls Gastrophthalmophobia Bookshop Evacuation at the Edinburgh Festival Haiku Excavation [59:54] Geosmin The Walk to Work [10:32] Polaroid They Sang Gwahoddiad Haiku A Minute’s Silence New Shirt [59:19] Vetch Field Elegy 58 Years The Search Party [2:14] Third Boy (Dicky) Marking Out the Ground with String The End |
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Ⓒ Rhys Owain Williams 2008–2021
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That lone ship on the horizon arriving or leaving? |